Bar Ideen, Imbiss, Modernes Wohnen, Neue Ideen, Stube, Konzept, Einrichtung, Lounge Design, Bar Lounge, Bar Innenausstattung, Restaurant. Bar Ideen, Imbiss, Modernes Wohnen, Neue Ideen, Stube, Konzept, Einrichtung, Lounge Design, Bar Lounge, Bar Innenausstattung, Restaurant. Les Mardis de l'Art. Les Mardis de l'Art - Architecture for Art's Sake? Conférence par Philippe Schmit L'architecte aborde la relation entre sa conception.
Casino Architecture VideoBOKOR CASINO FROM 1925 - 2018 # ANCIENT ARCHITECTURE
Since the dawn of the first legal casino, the design and architecture of the casino has always been fascinating and interesting.
I guess, the most fascinating aspect to casino architecture is the intense level of psychology that goes into the construction and design.
But, the casino industry has long moved on since then. Nowadays, architects balance the requirement for a space large enough to house a new vast array of gambling and entertainment facilities with the need not to overwhelm the visitor.
In the past, casino architecture is classically designed to have as few windows as possible, creating a closed cave-like environment, where night and day cannot be distinguished.
This combine that with an obvious absence of clocks, which takes away all measures of time. Might as well keep putting money in the slots, right?
He broke casino design convention by designing natural sunlight. Thomas inserted skylights and antique clocks, defying the commonplace notion that a casino should be a timeless space.
In the past, casino designers widely adopted a theory known as the maze layout. The psychology was that a casino should quickly suck a player in, and then make it incredibly difficult to leave.
This is why there are no clocks, on the walls and no windows in casinos, it was often said, this tactic was used to keep the player confused about the time.
Although, the maze design could be seen as the best layout, with slot machines arranged not in neat rows as they were in the s , but rather in haphazard curving arcs.
In present times, the casino layout theory had its first major modification. Casinos have always been places of glamour and excitement.
Buildings where fortunes are won and lost on the spin of a roulette wheel or the turn of a card. Caesars Palace in Las Vegas is perhaps the quintessential example of grand casino design.
Originally opened in the subsequent fifty years have seen many additions,the most recent of which was the Octavius Tower competed in The overall style of the building is Graeco-Roman filtered through a Hollywood vision of the ancient world.
To complete the effect there is also a great deal of statuary adorning the building including a 20 ft high Julius Caesar who greets visitors in the entrance.
Built on the site of the legendary Dunes Hotel, Bellagio takes its inspiration from Lake Como in Italy and is famous for its elegance.
Not only is it the tallest building in the city at 47 storeys and metres high, its design is intended to express the vibrant and daring of the region — a million miles away from the angular skyscraper designs so often used in high rise buildings.
The vision that lay behind the design of the Venetian Macau was just as impressive. So these all go to show the huge range of styles and approaches that go into casino architecture — but all do have one thing in common.
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